Novel Boot Camp – Wrap Up & Contest Winners

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What an amazing month! Novel Boot Camp was a huge success and a ton of fun. Thanks so much to everyone who participated!

Before I get into the contest winners, I want to first talk about the future of the Novel Boot Camp posts. A lot of writers have asked me whether the posts will be taken down. At this time, I have no intention of taking down the posts.

I will, however, be renaming the posts and making some minor adjustments to make them more searchable within the site for writers who did not participate. So you may notice title changes or other minor differences. But all the posts will be up and available to read. The complete listing will be located on the Novel Boot Camp page.

Future Workshops

I would like to hold some writing workshops throughout the year and hope to see some of you returning for those future workshops. When dates and details are decided upon, you will be able to find participation info under the new Workshops page in the navigation bar.

Of course, I will also mention upcoming workshops in my blog posts.

Future Blog Posts

Throughout Novel Boot Camp you have all really inspired me to come up with some new and exciting blog posts and series. I’m really looking forward to bringing advice in new ways and addressing issues that are of particular concern to Novel Boot Camp participants.

The questions asked in my “Ask the Editor” post are at the top of my list of blog posts I hope to put out over the next few months. And you have more than persuaded me to do some posts on successful published first pages.

So please follow the blog or keep stopping by the site!

The Winners

And now for the moment you’ve all been waiting for! The workshop winners!

To redeem your prize, please email me (ellenbrock@keytopservices.com) with your material whenever you’re ready. I will get to it as fast as I can, but it may take a few weeks.

Genre Guessing Game

Both winners will receive a free edit and critique of their first 1,000 words!

Novel opening with the most correct guesses: Joshua Graye

Guesser with the most correct guesses: Justyna

First Page Critique

Winner will receive a free edit and critique of their first 1,000 words!

Randomly chosen (but no less special of course): Julie Griffith

Query Letter Critique

Winner will receive a free query letter edit and critique!

Randomly chosen (but no less special of course): Maree Jones

Thanks for a Great Novel Boot Camp!

To sum up Novel Boot Camp, I just want to extend my sincere gratitude to everyone who participated, donated, and spread the word. It was a wonderful experience for everyone and I am so happy for that!

You are all amazing and I can’t wait to see your finished novels!

Give Back to Novel Boot Camp

Several participants have asked what they can do to give back to me, and I really appreciate the offer!

Please share my posts to other writers or write about me and Novel Boot Camp on your blog to help spread the word for next year. If you would like to interview me on your blog, please get in touch!

If you’re in a place where you can comfortably contribute, donations are gratefully accepted.

I am also interested in testimonials to display on the site. If you would like to leave one in the comments or email one to me that would be awesome! Just please clearly mark it as a testimonial so I know that you are okay with it being used publicly.

And of course come back next year for Novel Boot Camp 2015!

Share Your Updates

As you continue to work on your novel, please update me about any new developments in your career! I would love to find out about your success!

 

Novel Boot Camp – Lecture #19: How to Self-Edit

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This is it! The last day of Novel Boot Camp! How did it arrive so quickly?

It’s a bittersweet moment filled with visions of sleep and relaxation but also the knowledge that I won’t be hearing from you all nearly as often.

But Boot Camp isn’t over yet! Tomorrow I will announce the contest winners (I know you’re all dying to know who was the best genre guesser). So make sure to check out the post in case you’re a winner!

For our very last Novel Boot Camp lecture, I wanted to focus on the future – your novel’s future. Whether you simply read the lectures or spent hours on every homework assignment, chances are your novel still has a long way to go.

But its journey doesn’t stop here! It’s time to dig deeper into the perilous activity of self editing. It’s a long and rough road, but you’re ready for it! Here are my best tips:

Start with the Big Picture

Most writers start the editing process off on the wrong foot right from the get go. They open their word document to page one and just dive right in. They spend countless minutes debating about whether his shirt is “baby blue” or “light blue.” They fiddle with punctuation marks. They flip-flop endlessly between using “and” or separating the sentence into two.

And then after all of this, they go back and read their revision and it’s…just okay.

This kind of teeny-tiny detail-oriented editing is the absolute last thing you should worry about. Polishing the tiny details before focusing on the big picture just makes it more difficult to let go of unnecessary scenes down the road.

Always start with the big picture and work your way smaller.

The First Editing Stage: Content

The first thing to focus on with your novel is the content. Read your novel from beginning to end and take notes. Be as thorough as possible in your note taking, but don’t change anything just yet. The key is to not waste time making changes until you are 100% sure that the scene will be kept.

Here are some things you will want to include in your notes:

  • Chapters that are boring, slow, or feel unnecessary.
  • Plot holes.
  • Inconsistencies.
  • Unbelievable character motivations.
  • Chapters or scenes without conflict.
  • Poorly conceived or missing character arcs.
  • Any ideas you have for improvements – big or small.

You may need to go over this list several times, expanding on your notes, before you begin making changes within the novel.

Even if you’re a discovery writer (aka a “pantser”), an outline at this stage in the game can really help you see the big picture and figure out how to move scenes and make cuts and additions. Solidifying any plot changes in an outline before revisions can save you a ton of time and stress in the long run.

After you do make the changes within the novel, you will want to do this process again. Go through your manuscript a second time and make notes without changing anything within the manuscript. Then assess your notes, make an outline or game plan, and do another round of editing.

Note that I call this an “editing stage,” not an “editing round.” Depending on the writer, you could go through this process 2-5 times and still have areas to work on.

Note also that the first round of content editing may be very close to rewriting the book from scratch, especially if you’ve learned of some major issues with the plot during your first round of note taking.

The Second Editing Stage: Style

After you’ve perfected the story, it’s time to move on to style or “voice.” If your voice is strong already, then this stage might not take as long for you, but if you’re still establishing your style, this stage could involve a lot of rewriting.

The easiest place to start is with a scene that you feel best demonstrates the style or voice you want for the novel. Consider carefully which elements of the writing you like best.

Now choose a scene in which you feel that the writing isn’t particularly strong. Try to “imitate” the voice/style you used in the passage that you do like. Keep fiddling until you get the writing to a place where you are happy with it.

If you don’t have any scenes with especially strong writing, it may be helpful to rewrite the same scene several times in different styles. Then choose the style that you feel best suits the book and incorporate that style throughout the novel.

It may take several rounds of editing to get the style solid and consistent.

The Third Editing Stage: Line

Line editing is what most writers think when they hear the word “editing.” This is the last stage of the editing process where the writer moves slowly and deliberately from sentence to sentence and paragraph to paragraph making the language exactly what they want it to be.

A lot of writers and editors would lump the “style” and “line” editing as a single stage, but in my experience, when new writers are editing for the first time, their work is often so far from having a consistent style that an ordinary line edit would send them through their novel two dozens times before they’d settle on a style that suited their writing and the book.

It’s easier to establish your style ahead of time, then move through the book for the little things – cutting adverbs, improving emotional expression, rewording sentences that are clunky or unclear, etc.

If you’ve done the other two editing stages correctly and thoroughly, this stage might only take two rounds of editing.

How Do You Know When You’re Done?

Knowing exactly when editing is complete can be tricky. The biggest obstacle in the path of most writers is their thought process. Here are some particularly common and damaging ones:

  • “My agent/editor will fix this issue later.”  – Many writers are disillusioned about exactly how much work an agent or editor (at a publisher, not freelance) will be willing to do for you. They expect the novel to be pretty dang close to book store ready. Agents/editors have the pick of the litter so they have no motivation to work with you on a book that’s anything less than stellar.
  • “I need to get published right now! I need to see my book in stores!” – Hold your horses! Urgency is a huge factor in sloppy writing and editing, which will get you nowhere (see above). Don’t worry about when your book will hit shelves, worry about making it the best darn story you can make it.
  • “I’m naturally gifted and don’t need to work as hard as others.” – I can pretty much guarantee that this is not the case. Writing and editing is hard work for everyone. If you try to cut corners because of a belief that you are inherently gifted or talented, you’re going to be waiting the rest of your life for someone to recognize your brilliance.
  • “Nobody will even notice this issue.” – Yes, they will. If you noticed it, I can gosh-darn guarantee you that an agent, editor, or reader will.
  • “It would be easier to start over with a new novel.” – If this is the very first thing you’ve ever written, this may be true, but if you find yourself bouncing from project to project, you may be allergic to editing. No book is going to come out brilliantly conceived the first time. Every story takes a ton of work.
  • “This book is a mess and I hate it. I should quit writing.” – Never give up! Writing is a skill. It takes a lot of time and effort and learning. You don’t become an Olympic gymnast after your very first tumbling lesson, and you don’t become a published author the first time you put a story on the page.

If your thought process isn’t holding you back, you’ll know when you’re done editing when you don’t want to change anything anymore. If you go through your novel and can only think of changing a word here or there, then you’re probably finished. If something still doesn’t quite feel right, you’ve probably got more work to do.

Always remember that you’re writing because you love it, because you’re passionate about it. Never lose sight of that. Editing is a daunting task, but it’s worth it in the end. So go out and polish that book into something you can be proud of!

Connect with Other Novel Boot Camp Participants

Need a writing friend? Got a question? Need a shoulder to cry on? We’re there for you!

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I will be answering writing and editing questions on our Twitter hashtag as time allows. Due to the insane volume of emails I’m receiving, I cannot provide free advice or assistance via email. Thank you!

What is Novel Boot Camp?

Novel Boot Camp is a free online novel writing course focused on identifying and correcting problems in your novel. Learn more about Novel Boot Camp and find past (and future) posts here.

Novel Boot Camp – Lecture #18: Identifying Your Novel’s Genre

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Whether you’re perfecting your query letter or trying to figure out how to market your self-published novel, identifying your novel’s genre is important. Unless you write right down the center of your genre, you’ve probably spent a lot of time debating whether you’re writing thriller or horror, women’s fiction or romance, literary or mainstream.

“What’s my genre?” is one of the most common questions aspiring writers ask, especially as they’re nearing the end of writing or editing their novels.

So how do you identify your genre? Here are some tips that will help:

Genres are About Marketing

First things first – before we get into the tips and tricks for identifying genre, let’s discuss what the genre is used for: marketing. The genre allows publishers to determine where to place your novel on store shelves. This means that choosing the genre is often more about where the book will make the most money rather than what genre it technically fits into.

No doubt, you’ve seen science fiction novels in the “mainstream” section of a book store. This is because if a book has wide appeal, it won’t necessarily be shelved with its actual genre.

No doubt, you’ve also seen books that didn’t really fit any genre very well. It wasn’t quite fantasy, wasn’t quite contemporary, or perhaps it spanned a long period of time or seemed to touch on too many topics to number.

The goal of identifying the genre is to figure out marketing, so that your book gets in the hands of the best readers for your individual story. Getting a million people to read your book is disadvantageous if the story really only appeals to hard science fiction fans.

If you market to everyone, it will lower your rating and result in negative reviews. The key in choosing the best genre is to get the right people, not the most people, to read your book.

For querying purposes, just do the best you can at determining the most marketable genre. If you’re wrong, your agent or publisher will adjust the genre as they see fit.

Think About the Book Store

One of the simplest ways of determining your genre is to think about the book store.

If you walked into a book store right now, where would you go to find your book? The science fiction section? Fantasy? Women’s fiction? Romance?

It’s all well and good to call your book “urban women’s fiction fantasy/scifi mashup with a historical setting” but where on earth will it be placed on the shelves?

Remember that there is no “science fiction contemporary women’s issues horror” section of the book store, and you can’t you build a marketing plan off of such a crazy genre. Agents and publishers want to know what shelf the book will be on. That’s all they really need to know.

Which Readers Would Like it Most?

Hitting the largest amount of readers will not help your novel if the average reader wouldn’t find the story appealing. It is better to focus on the readers who would love your novel the most.

If you write a book with elements of multiple genres (for example The Time Traveler’s Wife), you need to decide which group of readers is more likely to enjoy the book. With this example, is it romance readers or science fiction readers? It doesn’t take too much thought to realize that the story is much more appealing to romance fans.

What is the Primary Emotion the Novel Elicits?

You may need a beta reader to help you with this question if you haven’t put a lot of thought into it (though you really should). The primary emotion experienced in the novel can be a great way to peg which genre it fits into.

For example, if the primary emotion experienced is fear or disgust, then you’re probably writing horror.

If the primary emotion is anxiety and tension, you’re probably writing a thriller.

If the primary emotion is hope and love, you’re probably writing a romance.

Look at Comparable Titles

Who do you write like? What books have similar plots to yours? Make a list of the top five or ten novels and then go on Amazon and Goodreads to see what genre those novels are listed under.

You may also want to look at reader reviews, which may indicate whether readers agree with the genre placement of this particular story.

Keep it Simple

If you’re writing a query letter, keep the genre as simple as you can. It’s okay to list subgenres, but don’t go crazy. Remember that the agent has just read (or is about to read) a summary of your novel that will touch on subgenre elements. This eliminates the need to list out every subgenre your novel fits into.

For example, if your query makes it clear that your novel is set in the past, but the novel does not fall under the genre of “historical,” there’s no need to call it a “Paranormal Historical Romance.” Just show in the query that it isn’t set in the modern day and list the genre as “Paranormal Romance.”

As a general rule, it’s best to keep the genre at a length of two words (give or take one if you absolutely have to).

Homework: Ask for Advice

We’re going to have an interactive homework assignment today (“Yippee! Woohoo!” The Boot Campers go wild!).

If after reading this article, you’re still not sure what your novel’s genre is, ask for help in the comments. Post a summary or explain why it is you’re confused or uncertain about your genre and let your awesome fellow boot campers guide you towards the answer.

And don’t forget to help others identify their genre as well!

Connect with Other Novel Boot Camp Participants

Need a writing friend? Got a question? Need a shoulder to cry on? We’re there for you!

Screen Shot 2014-06-26 at 10.41.51 AM 93-facebookgroup

I will be answering writing and editing questions on our Twitter hashtag as time allows. Due to the insane volume of emails I’m receiving, I cannot provide free advice or assistance via email. Thank you!

What is Novel Boot Camp?

Novel Boot Camp is a free online novel writing course focused on identifying and correcting problems in your novel. Learn more about Novel Boot Camp and find past (and future) posts here.